Tag Archives: neil hannon

Silk and Amphetamine (Casanova Companions)

To an attentive Divine Comedy fan in the mid-1990s, it would appear that Neil Hannon was releasing EPs under two banners: the Companion and the Indulgence. A record is a Companion when it’s associated with a particular album, and an Indulgence … Continue reading

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And Never the Bride (Casanova)

In 1996, The Divine Comedy entered their imperial phase with Casanova, the album that finally broke Neil Hannon into the mainstream. Together with its immediate precursors, Liberation and Promenade, it forms the final part of a three-album plateau of artistic … Continue reading

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Beyond the Boundaries of Sense (Indulgence No. 2)

In July 1994, an odd promise was fulfilled as The Divine Comedy released Indulgence No. 2, the sequel – at least in a certain sense – to 1993’s Indulgence No. 1. That shared name is really the only thing connecting the … Continue reading

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Fire to the Sea (A Promenade Companion / Compagnon de Promenade)

The album Promenade stands alone, a complete and self-contained work. That said, also it has a couple of satellites in its orbit: two EPs whose names mark them as supplemental, a pair of records slaved to the album and implicitly … Continue reading

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Asleep Behind the Wheel (Promenade)

If Liberation was Neil Hannon’s artistic breakthrough, it’s 1994’s Promenade that showed he knew it – and that, having scrambled and experimented until arriving at what was basically going to be his signature sound, it was time to dig in and explore … Continue reading

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A Strange God in My Head (Indulgence No. 1)

Here’s an odd one. In October 1993, two months after the release of the Liberation album, Setanta quietly put out another Divine Comedy record. Intriguingly titled Indulgence No. 1, it has three tracks, no front cover, and no lyrics written … Continue reading

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Each Fantasy Chosen Begins (Liberation)

After several years – and several records – spent cycling from the influence of one overwhelming monolith to the next, The Divine Comedy, a band which has essentially been a shifting progression of tribute acts with glimmers of promise, suddenly snaps … Continue reading

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